I Dreamed A Dream, Susan Boyle Album

I Dreamed A Dream, Susan Boyle Album updates:- I Dreamed A Dream by Susan Boyle, the upcoming debut album from the talent show sensation, has achieved the largest global CD pre-orders in the history of Amazon.com, This title will be released on November 23, 2009.
About I Dreamed A Dream:- Inspirational and breathtaking, “I Dreamed a Dream” is the highly anticipated album from a global phenomenon whose dream has become reality.
She captured the hearts of millions and became a worldwide YouTube phenomenon with over 300 million hits. An inspiration for those who have a dream, the talented Susan Boyle presents her stunning debut album. Susan surprised the world with her powerful, heart stopping voice when she walked onto the Britain’s Got Talent stage. Now with a beautiful and diverse album she will, once again, defy preconceptions. I Dreamed a Dream, the album, crafted by world acclaimed producer Steve Mac, demonstrates Susan Boyle’s extensive musical ability. Featuring her signature songs, `I Dreamed a Dream’ & `Cry me a River’ the album also includes a haunting rendition of Rolling Stones “Wild Horses”, Madonna’s `You’ll See, The Monkees `Daydream Believer’ and “Who I Was Born To Be” an original recording written specially for Susan. Susan enthused; “It was my greatest ambition to release an album and I have finally achieved it. This amazing journey has helped me find my own identity and fulfill my wish. There is happiness out there for everyone who dares to dream.”
About Susan Boyle

January 21st 2009 is not a date that Susan Boyle is ever likely to forget. ‘I will never forget it,’ she clarifies, in her unmistakeably Celtic brogue. It was the day that the shy, devout 48 year old stepped onto the stage of the Scottish Exhibition and Conference Centre in Glasgow for an audition on Britain’s Got Talent. Or to put it another way, the day her world turned 360 degrees on its head. In front of the three-strong panel of judges charged with divining which of this year’s British hopefuls really did have talent, the singing voice of Susan Boyle turned out to be a watershed moment neither she nor anyone involved in the show could possibly have foreseen. It is now both her and the show’s defining moment.

In her own haphazard fashion, during three and a half minutes of television airtime, later aired to slack-jawed intakes of breath in May of this year, Susan Boyle fashioned a new kind of fame. She elicited a moment of pure, molten zeitgeist. She broke every rule of the talent show book and tore up a considerable number of the pages of popular music marketing into the bargain. She symbolized an astonishing variety of the little-people’s revenge, quite by accident. Ms Boyle describes her own astonishing 2009 in refreshingly frank and simple terms. ‘All I did was to apply for a talent show. I was lucky enough to be chosen. That’s it in a nutshell.’ But something deeper was going on in the collective public consciousness. If the two watchwords of the 21st century have been ‘reality’ and ‘celebrity’, Susan Boyle had accidentally located a brand new point on the graph where they both intersected. One of Britain’s forgotten characters had rarely, if ever, been so memorable.

After her one audition for Britain’s Got Talent, in which she confounded the judges, the audience and then anyone with access to Youtube’s expectations by dazzling her way through a version of the song I Dreamed A Dream, from the musical Les Miserables, a tornado of opinionated column inches, speculation, rumination and conjecture around Susan Boyle grew feverishly. 300 Million You Tube hits and counting. She became the subject of op-ed newspaper columns, a front cover sensation in her own right. This unlikely candidate for the melting pot of the new star machine in 21st century Britain caused computer crashes, miles of newsprint and the sophisticated approval of Hollywood’s well-heeled and super-groomed A-list. Though the content differed wildly, everyone proffering their thoughts on the self-confessed ‘wee wifey’ seemed agreed on one point. That in 2009, to be free of an opinion on Susan Boyle was to be free of opinion itself.
For one brief moment, vanity itself collapsed. As that ancient old maxim – ‘Never judge a book by its cover’ – clanked around the globe with speedy viral intensity, it was as if the world was about to offer its first unspoken apology for prizing beauty above all else. Perhaps it would temporarily forget its grotesquely accentuated new heights of judgement. Or perhaps Susan Boyle was just a fleeting icon by which a microscope was shone on our more fickle presumptions. Whatever history gifts the Susan Boyle story in the long term, it is now her time to prove that there is more to this incredible woman than being the symbol for a moment of international reflection. She will do it in the exact same way she entered our consciousness in the first place. With the raw combination of strength and fragility, beauty and solitude that is her singing voice.

In some ways, Ms Boyle’s story is just the same as any woman with a voice in any choir up and down the UK. In her home town of Blackburn, she had been schooled in singing in churches and choral societies. She says now that, as a shy young woman with some learning difficulties, being hidden in the blanket of a collective singing arrangement offered her comfort. So in one other, crucial way, her story is entirely her own. The most unlikely chorister in the sea of voices stepped out of line and put her head above the parapet to be noticed. For Susan Boyle, though she would never deign to say so much herself, this was an act of personal heroism, the like of which she had never contemplated before.

The speed with which reaction to her performance picked up gravitas proved an incendiary media hotbed. But it was most surprising for the woman at the centre of it. ‘It started off with the [Scottish newspaper] Daily Record visiting my door. And it ended up with TV stations from all over the world camping out on my street waiting for interviews and stories. I’d peak behind the curtains in the house, saying ‘what in God’s name is going on here?’ Then the phone calls started. My number was still in the book at that particular time, so anybody could get it and the phone was ringing 24 hours a day. It was constant. People were ringing me who I couldn’t understand because of their accents. All sorts of nationalities. Lots of Americans. It was absolutely unbelievable if I’m being honest.’ She is self-deprecating about why she should have caused such a furore. ‘A woman who went on with mad hair, bushy eyebrows and the frock I was wearing had to be noticed. Come on!’

Such is the quick nature of today’s star system, in September, just four months after her TV debut, Susan Boyle made her live TV comeback. She performed a rarefied take on The Rolling Stones Wild Horses, re-orchestrated to gently clasp the exact timbre of her natural talent, on the show’s US cousin, America’s Got Talent. An unprompted standing ovation followed. Outside of the unruly cyclone of her fame, there is something within the voice of Susan Boyle that is absolutely perfect for our times. At a moment when Dame Vera Lynn and Barbra Streisand are topping the album charts, there is something peculiarly modern about her improbably status as holding the international record for most pre-ordered album of all time. As the dust settles on the sheer wattage of conversation that she has prompted, it is time – as they say – to face the music.

Ms Boyle’s debut album was put together during the summer of this year. She first entered a recording studio in July in Edinburgh, to test how her vocals would respond to tape. The results shocked both her and veteran producer Steve Mac. Decamping to London, she fashioned the record over two months, picking songs that resonated with her, that pricked something within that she felt ready to unleash through music. ‘It was important that I could feel everything I was singing,’ she says, cutting straight to the core of why music can be such a useful release, an escape valve from the everyday.

A disarming mix of the sacred (‘My faith is my backbone,’ she says) and the secular, there is not a moment on it that is not moving. It is pitched exactly within the framework of the year she has enjoyed and, at well-documented times, endured. It is a collection of covers and original material that cuts a swathe into the interior life of the woman who is arguably the most intriguing, not to mention instantly recognisable character yet to be produced by the reality talent medium, the decade’s defining TV genre.

When she hurts, it hurts. Her rousing rendition of Madonna’s You’ll See is a riposte to the children that picked on her in the playground. The new composition Who I Was Born To Be is an astonishing testament to self-belief against some startling odds. Yet when she dreams, we dream too. Because of her uncanny knack of picking a song so perfect for her tale at that very first audition, Ms Boyle has become synonymous with the word ‘dream’. Her flawless album rendition of I Dreamed A Dream may come as no surprise, but it still manages to pick every individual hair from the back of your neck and yank them to attention. A country ballad version of Daydream Believer delicately seals the deal of her being synonymous with the concept of dreaming.

For this is Susan Boyle’s tale. The fearlessness to dream about something other than the lot life has handed you. The chance to escape. The pivotal role of music as a conduit to go to another place, sometimes lodged at the outer recesses of your imagination, and to allow that new place to blossom. Yes, this is Susan Boyle’s tale. It is why it connected with so many unsuspecting people across the world. In another nutshell? If she can dare to dream, so can you.

Susan Boyle Makeover Photos

Susan Boyle Makeover Photos: Susan Boyle is undoubtedly the biggest surprise loser in the recent past, not only this year. The singer, who came to the scene with a heartbreaking performance while auditioning for Britain’s Got Talent, is now preparing for the release of their debut album, the much publicized “I dreamed a dream,” which hits stores on 23 November. For the last time before this happens, we talk openly about her mental breakdown earlier this year in an interview with the Daily Mail
For those who have not seen in a while, they might also note that Boyle’s law, Susan of today is not terribly nervous as the woman who took the stage to be ahead of surprise and, finally, the music mogul Simon Cowell and his panel of judges. Of course, in substance and in their relationships with others, Susan is still the same painfully Blunt and direct woman who makes a very strong point to be honest in all circumstances. Is your appearance has changed – but not for Vanity, Susan explained by mail.

“I was tired of being called that.” Boyle says of the “alias Hairy Angel” was once caught with that shot to international fame instantly. “I did not know how I looked on TV until I was in Britain’s Got Talent. I saw this morning with wifey crazy hair and bushy eyebrows and said,” Hmmm, not really photogenic. So I decided to spruce me a bit. When I look in the mirror, I see this sophisticated lady. I’m still a little like that early in the bourgeois interior, but more refined in some respects. I think any woman would do the same. Would you like to see as the Angel Hairy? I think not. “Says the singer and the makeover.

She has not changed, however, and will not do in the future. To begin, I wanted too bad for a singer to fame comes to mind, he says. Second, although only the beginning of his career, which almost saw it all go down the drain when he had a mental breakdown earlier this year and had to be admitted to the Convent, the famous London clinic for mental health for some R & R. Fame can do that one, Susan states, because there is so much pressure from all sides that someone who is new to The Game, as it can only crack under it.
Source: news.softpedia.com

Jessica Tandy

Jessica Tandy: A beloved, sparkling blue eyes, doyenne of stage and screen career of actress Jessica Tandy spanned nearly six decades and a half. In that time frame which enjoyed a remarkable revival film at the age of 80, something unheard of in a town that worships youth and beauty of consent. Jessie Alice Tandy was born in London in 1909, the daughter of Harry Tandy, a traveling salesman, and Jessie Helen Horspool.
His parents enrolled as a teenager in the Ben Greet Academy Of where she showed immediate promise. She was 16 when she made her professional bow as Sarah Manderson in the play “The Manderson Girls” and later was invited to participate in the Birmingham Repertory Theater. Within a couple of years, Jessica was making a series of premieres of others as well. His first West End play is “The Rumor” at the Court Theater in 1929, its Gotham bow was in “The Matriarch” at the Longacre Theater in 1930, and its role in initial film was as a maid in the indiscretions Eva (1932).

Jessica is married to British actor Jack Hawkins in 1932 after the couple met at the completion of the work “Autumn Crocus” last year. They had a daughter, Susan, before parting ways after eight years of marriage. An unconventional beauty with a little severe, sharp-eyed, hard-line features, was passed over for leadership roles in the movies lady, focusing heavily on transatlantic race across the stage 1930 and 1940. She grew in stature, while the promulgation of a succession of ladies premiere of Shakespeare (Titania, Viola, Ophelia, Cordelia). While enjoying personal success in other parts of works such as “French Without Tears,” “Honor your father,” “Jupiter Laughs,” “Anne of England” and “Portrait of a Madonna.” And then she gave birth to Blanche DuBois.

When the work of Tennessee Williams’ A Streetcar Named Desire “opened on Broadway on December 3, 1947, Jessica’s name became forever associated with this character fascinating southern belle. One of the most complex, beautifully drawn, and still coveted femme parties of all time, went on to win the coveted Tony Award. Apart from the introduction of Marlon Brando for the general audience, “Streetcar” hit the marquee value of Jessica to a thousand times. But not in the movies.

While his colleagues estimated stars Brando, Kim Hunter and Karl Malden had the luxury of recreating his role in Elia Kazan Stark black and white film adaptation of A Streetcar Named Desire (1951), Jessica was devastating overlooked. Vivien Leigh, who played on stage in London and had already immortalized another timid, manipulative Southern Belle on celluloid (Scarlett O’Hara), was a celebrity more commercial film at the time and signed on to play the delusional Blanche. To be fair, Leigh was nothing less than astonishing in the role and went on to deserved to win the Academy Award (along with Malden and Hunter). Jessica require his revenge in Hollywood in subsequent years.

In 1942 he entered a second marriage to actor / producer / director Hume Cronyn, 52-year union produced two sons, Christopher and Tandy, the latter an actor in its own right. The couple not only enjoyed great solo success, they enjoyed the show in each other’s company. Some of his resounding victories included the drama “The Fourposter” (1951), “Triple Play” (1959), “Big Fish, Little Fish (1962),” Hamlet “(played Polonius, played Gertrude) (1963),” The Three Sisters (1963) and “A Delicate Balance.” Also supported together in films, his first, (1944 The Seventh Cross). In the movie “The Green Years (1946), Jessica, who was two years older than Cronyn, actually played his daughter! Throughout the 1950s he built a solid reputation as” America first couple of Theater ” .

In 1963, Jessica made an isolated appearance in the classic Alfred Hitchcock film, The Birds (1963). Under the hierarchy of the time (pun), Jessica Hitchcock gave a notable supporting role and Jessica did most of his scenes very fragile nervous, overbearing mother of Rod Taylor, that witnesses of terror along the California coast. It was not until the 1980s that Jessica (and Hume, to a lesser extent) experienced a mammoth back in Hollywood.

Along with Hume is delighted movie audiences in the tariff nice as Honky Tonk Freeway (1981), The World According to Garp (1982), Cocoon (1985) * batteries not included (1987). In 1989, however, Jessica was handed octogenarian the role of elderly lifelong South as thorny Jewish widow who gradually form a bond of trust with their elegant black chauffeur in Driving Miss Daisy Theater (1989 ). Jessica was presented with the Oscar, Golden Globe and British Film Awards, among others, for his outstanding work in the film that also won the “Best Film”. Consider now Hollywood royalty, she was given the cream of the crop in some parts of the old film and earned another Oscar nomination for Fried Green Tomatoes (1991) a few years later.

Jessica also enjoyed some of his biggest hits from stage ( “tram” notwithstanding) during his sunset years, winning two Tony Awards for their outstanding work in “The Game Gin” (1977) and “Foxfire” (1982). Both co-starred her husband Hume and both were transferred by the beautiful girl on television. Diagnosed with ovarian cancer in 1990, Jessica bravely continued to work with the Emmy-winning distinction in television. She died of the disease on 11 September 1994. His last two films, Nobody’s Fool (1994) and Camilla (1994), were released after his death.
IMDb Mini Biography By: Gary Brumburgh / gr-home@pacbell.net

Spouse
Hume Cronyn (September 27mo, 1942 to September 11, 1994) (his death) 2 children
Jack Hawkins (October 22do, 1932-enero 2, 1940) (divorced) 1 child

Trivia

Mother of Susan Hawkins Jack Hawkins and Christopher Cronyn and Tandy Cronyn, with Hume Cronyn.

1990: Chosen by People magazine as one of the 50 most beautiful in the world.

1990: diagnosed with cancer.

She won a Tony Award in 1978 for “The Game Gin.

She won a Tony Award in 1948 for “A Sreet Car Named Desire.”

Favorites (with husband Hume Cronyn) and Liz Marriott on NBC Radio “The Marriage” (1953-1954).

1989: He became the performer 12 to win the Triple Crown of acting. Oscar: Best Actress, Driving Miss Daisy (1989), Tonys: Best Actress-Play, “A Streetcar Named Desire” (1948) and Best Actress-Play, “The Game Gin” (1978) and Best Actress-Play “” Foxfire “(1983); Emmy: Best Actress-Miniseries/Special, Blaze (1987) (TV).

He has won four Tony Awards: in 1948 as Best Actress (Drama) in “A Streetcar Named Desire”, an award he shares with Judith Anderson in “Medea” and Katharine Cornell for Antony and Cleopatra, “” as Best Actress (Play) in 1978 for “The Game Gin” and in 1983 for “Glow” and in 1994 a special Tony Award for Lifetime Achievement shared with her husband, Hume Cronyn. He also received Tony Award nominations in 1971, Best Actress (Featured Role – Play) for “Rose”, and in 1986 as Best Actress (Play) for “the request”.

Broadway producer Lee Shubert convinced her to change her name to Jessica Jessie during his years in the initial phase.

1974: He earned a law degree.

1990: She and her husband, Hume Cronyn couple received the American National Medal of Arts by the National Endowment for the Arts in Washington. DC.

At the age of 81, which is the oldest winner of an Oscar for Best Actress for her role as Daisy Werth in Driving Miss Daisy (1989).

1993 won a Tony Award Special (New York) Lifetime Achievement Award.
Source: bollywod91.com

Monsters Vs Aliens Halloween Special

latest news Updated, Monsters Vs Aliens Halloween Special: Monsters Vs Aliens Halloween Special, Linus van Pelt did not have to go to bed disappointed more on Halloween night. The Smashing Great have arrived! (More or less, if by “Big” meaning goblin-like Jack o ‘lanterns with insatiable craving for sweets.) monsters vs aliens halloween special

DreamWorks’ Monsters vs. Aliens heroes of the battle hunger pumpkins television mutant monsters first special holiday. Yes, foreigners play a sinister role, and yes, Susan, Bob, Dr. Cockroach, and Link has to tailor the monster to save Modesto, California, not in 3-D this time, but even more attempt to deceive.

Response to adversity will define Earnhardt’s career (NASCAR.com)

Response to adversity will define Earnhardt’s career

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Response to adversity will define Earnhardt’s career (NASCAR.com)

Susan Boyle’s – Oops! – Wardrobe Malfunction

Susan Boyle gave crowd a show at Euro football game on Thursday.
Why do we love Susan Boyle? We love Susan Boyle because she’s so lovably common — and because the excitment over her overnight stardom has her bursting at the seams…literally.

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Susan Boyle’s – Oops! – Wardrobe Malfunction

Susan Olsen

Latest News Updated, Susan Olsen: Susan Marie Olsen (born August 14, 1961) is an American television actress. She was born in Santa Monica, California, the youngest of four children, with two older brothers Larry and Christopher (fourteen years older) and a sister Diane. Her brother Christopher was also a child actor, perhaps best known for his role in The Man Who Knew Too Much. She is best known for her role as Cindy Brady on the 1970s television sitcom The Brady Bunch for the full run of the show, from 1969 – 1974.

After landing a number of supporting roles, most notably, Ironside, and Julia, at age seven she was cast as Cindy on The Brady Bunch. She was the youngest actress ever to appear in the series.

As an adult Olsen has expressed that portraying Cindy made peer relations difficult for her as a child. Olsen has said that the episode she dislikes the most is the “tattletale” episode in which Cindy snitches on her brothers and sisters. Because of the episode, she was shunned by her real-life peers who did not understand the difference between actors and their characters.

Susan has appeared in all “Brady Bunch” reunion movies, with the exception of A Very Brady Christmas in 1988, because she was on her honeymoon with her first husband. In that movie, Cindy Brady was played by Jennifer Runyon.

On Sunday, April 22, 2007, Susan and her fellow cast members were honored with the TV Pop Culture Awards on the TV Land Awards. It was noted that this is the first award that the Brady Bunch has ever won.

After The Brady Bunch

As an adult, Olsen moved into the graphic design business and in 1998 briefly marketed a brand of shoes for Converse that could be drawn on and washed. She also worked as a talk show host at a Los Angeles radio station KLSX from 1995 – 1996.

She appeared on Cartoon Network’s talk show Space Ghost Coast to Coast in its twenty-sixth episode “Switcheroo” with Cassandra Peterson as “Elvira, Mistress of the Dark”. Olsen has also been an advocate for migraine sufferers since 1998. She described her headaches on Larry King Live.

An urban legend appeared that Sussy had become an adult film star. On a late 1990s television interview, Olsen herself stated on-camera that her “porn” connection was that she created the musical soundtrack for the video Crocodile Blondee as a favor for a friend who worked in the technical side of the business. She also went on to state that perhaps the legend got started because the girl on the box cover to that tape looked a bit like what people might expect a grown-up Olsen to look like.

In the fall of 2008, Olsen appeared on Fox Reality’s Gimme My Reality Show, in which celebrities compete to win their own reality show.

Olsen published a coffee table book in 2009 entitled “Love to Love You Bradys,” with co-author Ted Nichelson, that celebrates the The Brady Bunch Variety Hour. In addition to many color photos and artwork, the book features over 100 interviews including the Brady Bunch, Sid Krofft, Marty Krofft, Sherwood Schwartz, Bruce Vilanch, Rip Taylor, and Paul Shaffer.
Source: wikipedia.org

Leslie Hall

ATLANTA : It was five minutes before doors opened at Atlanta rock club The Earl and Leslie Hall was backstage cramming her ample proportions into head-to-toe spandex. She straightened the stuffed white tigers mounted to her shoulders. Blasted her towering blond, bouffant with another spritz of Aquanet and sprayed Febreze on the sweatier regions of a size-16 costume that was definitely dry clean-only.
“This is my Britney Spears-inspired circus outfit,” said Hall, tracing her fingers along the lion tamer piping of the gold lamé onesie. “My mom made a plus-size one for me to wear.”

Hall insists that, quirks and all, she’s just another pop star.

“I think Britney, Rihanna, Beyonce, we’re all doing the same thing,” she said, pushing oversized spectacles up the bridge of her nose.

But in the next sentence the 210-pound white rapper — who lives with her parents in Ames, Iowa — pitched her new plan to help make ends meet. She’s begun marrying gay couples in a mobile museum heretofore dedicated solely to the celebration of gaudy, gem-bedecked sweaters.
In her own uniquely random manner of speaking, Hall calls the offering the “Gem Sweater Wedding of Grands,” a package she has posted on her Web site and tailored to members of her gay-friendly fan base.

In April, Iowa became the third U.S. state to legalize gay marriage, and that got Hall’s wheels turning.
“I mean, talk about Iowa business opportunities popping up at even the darkest of times,” she said.

The $299 package includes a ring bearer, a cake from Dairy Queen, two songs performed by Hall and a ceremony in any style the couple chooses.

The weddings, Hall said, are the latest front in her five-year battle against what she calls her biggest fear — a desk job.

She exploded onto the Internet in 2004 with a viral online photo gallery that pays tribute to her extensive collection of the plastic-jewel-encrusted garments she calls gem sweaters.

She gives each sweater a name — among them, “Route to My Feelings” and “Goblit from Bethlahem [sic]” — and poses in each one with the same deadpan facial expression. View the Gem Sweater gallery.

Hall said she discovered her first gem sweater while searching for a prom dress in an Iowa Goodwill store.

“I was sifting through clothes and I found this sweater and the beadwork and craftsmanship were unbelievable,” she said. “And that’s what sparked my interest for collecting them and making a Web site based on my love for these beautiful garments.”

The photos were an online hit, turning Hall into what she calls a “ce-Web-rity.”

But the relative fame came at an unexpected price — a $1,000-a-month bill for hosting the site. That’s when she formulated a plan.

“Make a couple of albums and do a couple of dances and you make money, honey,” she said.

Hall formed the group Leslie and the Lys with two friends from art school and began posting videos on BeatGreets.com, an online greeting card Web site that preceded YouTube.

Her over-the-top fashion sense, stage presence and raps about growing up as an overweight white girl in the Midwest quickly gained a cult following and Hall started taking her show on the road.

“For a temporary time, when you discover something on the Internet, it’s like the greatest thing you’ve ever seen,” Hall said. “And I think I get lucky with those first-timers. They’re just like, ‘Oh, my God, I’ve never seen this before in my life.’ It’s like a nasty chain letter that just hasn’t stopped yet.”

Leslie and the Lys just recorded their fifth self-produced album and wrapped up their fifth national tour earlier this summer. With each tour, their homemade stage show has become more elaborate.

“The Spice Girls use rotating, lifting stage risers. We used a lazy Susan and some of my dad’s garage door parts and built our own little turntable.” Hall explained.

“We use a painter’s scaffolding and a mountain climbing harness and I dangle from it like I’m being levitated over the audience. It’s like a low-budget Cirque de Soleil while we’re singing songs about enjoying snacks and watching television.”

The gigs pay well and Hall estimates that she has sold more than 5,000 albums at shows, but Internet downloads of songs like “Zombie Killer,” “Tight Pants” and “Blame the Booty” have become her biggest money maker. Watch the video for “Zombie Killer Revisited” featuring “Mistress of the Dark” Elvira.

She also uses her multiple Web sites to hawk original artwork, T-shirts and a line of handmade custom spandex outfits under the label, “Midwest Diva.”

“I’m good with spandex so I’m making these flashy, sassy, big girl dance uniforms,” she said. “I think this whole ‘Dance Your Ass Off’ thing is inspiring some big girls to get out in the club.”

Then there’s the museum — a converted 1974 Starcraft RV carrying the best of her over 400 sweaters.

“I’m going for Graceland meets the historical Abraham Lincoln Memorial Society,” she said.
Now, Hall said, she’s in talks with HBO for her own show.

“You just try and make money through your art any way you can and I’ve just been lucky enough to do it through music, fashion, photos and performance,” Hall said. “I think I can take this all the way to Hollywood.”
Source: CNN

VOTE: Susan Boyle’s Performance — Hit or Miss?

Overnight sensation Susan Boyle made her US television debut on the finale of “America’s Got Talent.”

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VOTE: Susan Boyle’s Performance — Hit or Miss?

National Poltroon

Two gals from down under POX cover.have managed to pull off an amazing feat: A pitch-perfect parody of vintage 1970s-era National Lampoon. POX is a comic book published “intermittently” by Susan Butcher and Carol Wood out of somewhere in the middle of Australia. It’s funny, clever, and quirky (and drawn by hand). Carol says she discovered the ‘Poon in the mid-1970s as a 16-year-old living in Perth, Western Australia. It was a mind-blowing experience and Lampoon magazine and books became her only contact with the outside world.

National Poltroon cover.Which explains the fabulous job she and Susan did on “National Poltroon,” a 16-page parody of National Lampoon featured in POX Number Six. Given their limited resources, it’s not as lavishly produced as the original (black and white on newsprint), but it perfectly captures the tone and style of the magazine at its peak.

In a jam-packed 16 pages they manage to have a little fun with practically every artist and writer of the era–P.J. O’Rourke, Chris Miller, Henry Beard, Vaughn Bodé, Michael Gross, Rick Meyerowitz, Bruce McCall(!), and more. Sam Gross parody.

There are spoofs of cartoons–Cheech Wizard, Politenessman, Verman, B. Kliban, Edward Gorey, Gahan Wilson, Charles Rodriguez, Roz Chast, Bob Mankoff, Sam Gross, Shary Flenniken, Ed Subitzky, M.K. Brown, Randy Enos, Jeff Jones, Bruce Cochrane, Foto Funnies, etc., etc. Some of these are very brief, but all of them lovingly mimick each cartoonist’s style to a T. Did I mention the subscription cards?

The Surprise Poster? The Son ‘o God comics parody? The contents page? The Off-Broadway show? The obligatory “hip” liquor/tobacco/hi-fi ad? It’s hard to believe how much they managed to squeeze into this little parody. It’s clearly a labor of love–as much a tribute as a spoof.

Unfortunately, POX is not distributed outside of Australia (yet). However, Susan and Carol are willing to send copies to readers in America for five US dollars each. Send well-concealed cash to: Butcher and Wood, 17 King St, Daylesford VIC 3460, Australia.